“Director Zoltan Paul tells his story great attention to detail and takes his time with his characters, plot and beautiful landscapes.” Kino.de

 

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“Zoltan Paul has staged his film with impressive ease and summery humor – filmed exclusively with floating Steadycam, using well-designed shots. He creates a look and feel for the incidental, which is important for the atmosphere. This drives the movie, which circulates around the two female couples. “Kinozeit

 

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“… Impressive camera work by Fabian Spuck that captures the nature of the Brandenburg lakes in gorgeous images.” Süddeutsche Zeitung
 

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“In the wonderful scenic backdrop of the Brandenburg hinterland, the skilfully orchestrated ensemble playing unfolds, the high voltage fed by the very different protagonists.”Blickunkt:Film

 

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“The result is crackling tension between the four women, fueled by flirting and manipulation. There are confrontations but not in an exaggeratedly erotic or overly emotional manner. It is Zoltan Paul (“Undercurrent”, “Gone”) in his unhurried drama who offers a hypothesis rather than a realization, concerning the question of trust and distrust in the partnership and the opportunity to negotiate freedoms. “Filmstarts